Tuesday, March 28, 2006
Previous Posts
- "They broke his kung-fu!"
- Ack
- Sorry, DC
- Comics for me
- Comics for you
- Pimping, and the difficulties thereof
- Buses: Outlaws!
- "Oh my God this is SO EROTIC"
- "I'm the Doctor"
- I have the power
Where to Find Me
- THE ATROX - Writer/Artist of High-Quality Erotic Art, Scripter for Atrox Comics
- Mayday 24-hour Film Contest - Writer/actor for Team Atrox
The Reading List
- Currently Reading - Anathem by Neal Stephenson
- Just Finished - One Hundred Years of Solitude by Gabriel Garcia Marquez
- On Deck - Maybe The Unbearable Lightness of Being
Online Comics of Pure Joy
- Dinosaur Comics
- Scary Go Round
- Achewood
- Overcompensating
- Sam and Max: Freelance Police
- Azid Zen Wonder Paint
- Penny Arcade!
- The Perry Bible Fellowship
- A Softer World
- Bob the Angry Flower
Comic Book Stuff
Blogs by People I Don't Hate
- King for a Lifetime...
- Lizlet
- Mastodon City
- Dead the Whole Time
- So...
- Reprise
- Searching For a Succession of Unordinary Days
- Creepy Bald Men Are Following Me
- Theo's Gift
- Freckles
- I Fucking Love It
- Insert Something Witty
- Rock 'N Roll Friends
- Missives from Llama School
Archives
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- June 2008
2 Comments:
Amen.
SEEEriously.
Pixar knows how to do their pop-cultural references: subtle, deep-background. Like the identifiable-only-to-total-dorks Star Wars sound effects in the opening scene of Toy Story 2.
Run what I just said through some kinda Star Trek antimatter alternate-universe transporter malfunction and you get "Elton John songs used in their entirety to score a gnome-filled adaptation of a Shakespeare play that's already been filmed by Baz Luhrman who is more gay than you and your Elton-John-friendly asses will ever be, so stop trying."
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